SpaceBrew Review: Whoa, Nelly!

My selected artist of the year award (which I give away every few years) this year goes to Nelly Furtado. It’s been many moons since I’ve listened to an album as musical as Whoa, Nelly! I didn’t have much hope for it, since she’s nineteen years old and all her inspirations were R&B singers. Blech. But I was hyperterrifically impressed not only with her diversity, but also her ability to write. She writes some of the most appealing, ear-catching music I’ve ever heard, and I’ve found I like every song on the album. She’s got songs ranging from sexy piano bar music to upbeat techno funk stuff, to rock ballads. This shit rocks, people. (I won’t mention that I think she’s hot.)

Chicken had this to say about Nelly Furtado: “Her voice will be the death of me.” Well, I suppose her voice is a little edgy, but I’ve found that’s exactly what I like about it. It’s definitely unique. And only when she wants it to sound like that does it even get that way. When she’s singing some of her slower songs, her voice is soft and sexy. I’ve found it to be like the Dallas Cowboys, whereas you either love it or you hate it. But if you’re a music-minded person, you’ll dig the album in spite of her edgy vocal quality – or perhaps because of it. She’s got class.

Hey Man is probably my favorite song on the album, though I also like Shit on the Radio. Those are both really tight and very involved pieces of music. Definitely go check this out and let me know what you think. And, oh yeah, don’t know if I mentioned this or not, but she’s kind of cute. And you know how I like chirps.

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